2019 ABIA Shortlist

The Australian Book Industry Awards (ABIA) celebrate the achievements of authors and publishers in bringing Australian books to readers. The shortlist covers 12 categories and they are

Biography Book of the Year

Back, After the Break by Osher Günsberg (HarperCollins Publishers)

Challenge Accepted! by Celeste Barber (HarperCollins Publishers)

Eggshell Skull by Bri Lee (Allen & Unwin)

Johnathan Thurston: The Autobiography by Johnathan Thurston, with James Phelps (HarperCollins Publishers)

Teacher by Gabbie Stroud (Allen & Unwin)

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Girls Night Out High Tea With Paige Toon

Parramatta Library, in association with Penguin Random House Australia, is hosting an in Conversation author talk with bestselling author Paige Toon.

Paige will be touring Australia for the very first time to talk about her new book – If you could go anywhere.

Enjoy our special Girls Night Out High Tea with (sneaky) Bubbles! Why not have a meet and greet with Paige to have your books signed and pick up her newest release from our on sited bookseller.

Don’t miss your chance with Paige before she goes back to the UK!

Grab a ticket now from this link parra.city/paige19

https://youtu.be/i9davNemk44

Man Booker International Prize 2019 Shortlist

There are more diverse reads you can find from this year’s Man Booker International Prize long and shortlists.

The Man Booker International Prize is awarded to a book translated into English. Prior to 2016, the prize was awarded biennially to a body of work.

The shortlist for the 2019 Man Booker International Prize has listed works from five languages (Arabic, French, German, Polish and Spanish) by some independent publishers.

The shortlisted titles are:

Celestial Bodies (Jokha Alharthi, trans by Marilyn Booth, Sandstone Press)

The Years (Annie Ernaux, trans by Alison L Strayer, Seven Stories)

The Pine Islands (Marion Poschmann, trans by Jen Calleja, Serpent’s Tail)

Drive Your Plow Over the Bones of the Dead (Olga Tokarczuk, trans by Antonia Lloyd-Jones, Text)

The Shape of the Ruins (Juan Gabriel Vásquez, trans by Anne McLean, MacLehose Press)

The Remainder (Alia Trabucco Zeran, trans by Sophie Hughes, And Other Stories).

Book Review: Mrs Queen Takes the Train by William Kuhn

Mrs Queen Takes the Train by William Kuhn.

Mrs Queen Takes the Train – William Kuhn

Book Summary

A charming, whimsical story of what happens when a long-serving and long-suffering monarch decides to go AWOL. A richly witty, warm and wonderful novel of responsibilities, escape and friendship. 

Her Majesty, Queen Elizabeth II, is growing increasingly disenchanted after her decades of public service and years of family scandal. One day, the Queen takes things into her own hands and, in a spur-of-the-moment decision, leaves the palace alone and incognito. 

An unlikely group of six, including two of the Queen’s most trusted household staff members, William and Shirley; one of her loyal ladies in waiting, Lady Anne; an equerry fresh from the battlefields of Afghanistan, Luke; a young equestrienne who minds the horses in the Royal Mews, Rebecca; and Rajiv, an Etonian spending his early 20s behind the counter in an artisanal cheese shop in Mayfair, and moonlighting as a tabloid photographer, are the only ones who know of her disappearance. They vow to find her and bring her back to the palace before MI6 turn her Scottish sojourn into a national crisis. 

Capturing the faded but enduring glamour and glory of a seemingly old-fashioned institution, and a woman who wonders if she, too, has become outmoded, this is a charming, witty and poignant novel of responsibilities and freedom. 

Comments

We all thoroughly enjoyed this novel. It brought together characters from across the Royal household, crossing the boundaries of social class, to establish respect for and friendships with each other.

At the heart of the novel, though, is The Queen. She was a real person with worries and doubts about her purpose and position. She had the same emotions as everyone else and we all felt real empathy with her. This was a wonderful ‘non-portrait’ portrait.

At the beginning of the novel staff were protective of ‘The Queen’ as an institution. By the end of the novel they were protective of ‘The Queen’ as a person.

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MJ Readers